|
||
2 POEMS Lee Anne Roripaugh
|
#FRUITS #STRING OF BEADS
the kitchen counter's :: pomelo breathes a green sigh :: radio waves of ~ pomegranate as :: a naughty bdsm :: valentine / sharply of a spoon / show no :: mercy / mercy is cruelty :: make it lick your boots ~ the blood orange’s :: subterfuge of violence :: under sunniness ~ unpeel an orange :: immunity boosting spurts :: crescenting the tongue ~ pomegranate as :: rat / whack-a-mole it using :: the back of a spoon signs a confession :: bloody seeds hitting bottom :: bricking the bowl’s floor ~ eating pink ladies :: and sweetly spritzing cuties :: in tufted gray sky ~ denuding cuties :: of their easy-off orange :: leather chaps / sizzled ~ pomegranate as :: war / the calyx's steely :: unbuttoning / pulp pomegranate as :: plunder / dethroned-uncrowned, mine :: the sweet veins with a ~ for how long did you :: misread STEMILT as STEMLIT :: convinced of stem’s wick
__ #(T=A)-T=A=N=K=A #STRING OF BEADS doubloon / daube lune / dub :: loony [looney?] tunes / sub weigh / sub dude :: sub limn ate / sub lime ~ faux masshole’s foam ass- :: hole / hegemony cricket :: beaux tie / beaux low tie ~ fez ant under ass :: pick / fetish icing / the silk :: roadeo / you’re not ~ unprofiteroled :: recalcitranced / in strudels :: in our mist / lapsed angst ~ crankypants / under- :: wearing / underworn / under- :: carriage / rusted ~ paperpig in a :: python / paperpythonpigged :: pythonpaperpigged ~ flagging a para- :: taxis / pterodactylic :: extinction / will not ~ suspicious phishes :: badcat vermillionaire-ing :: feeling so monkey- ~ pinafore, not a :: two, on the donkey / ballet- :: rynthian / there’s a ~ attention defe- :: cate disorder / atom-ant :: atom-antium
__ I’ve been thinking about the false binary of nature and technology, as well as the false binary between lyric image and the materiality of language. I’ve also been thinking how these liminal spaces might be explored within the intersections between tanka and tweets, or tanka and Facebook status updates, and these poems emerged along this particular spectrum. Partially inspired by 10th-century Heian poet Princess Shikishi’s quotidian String of Beads, and also partially culled from the frames of my own tweets and Facebook status updates, these poems slide between nature and technology, image and language, traditional tanka and social media chirping. |